Date | Grid | Clue | Author | Editor |
---|---|---|---|---|
Wed Oct 9, 2024 | 54D | Soften, with "down" (2) | Jeffrey Lease | Fagliano |
Sun Jun 23, 2024 | 21D | Answering machine signal | Michael Schlossberg | Fagliano |
Thu Apr 4, 2024 | 31D | Soften, with "down" (2) | Kevin Curry | Fagliano |
Mon Nov 13, 2023 | 33A | Word after dial or muscle | Benjamin Fink | Shortz |
Mon Aug 7, 2023 | 45A | Word after muscle or dial | Chloe Revery and Alissa Revness | Shortz |
Tue Jun 13, 2023 | 63A | Something to watch with your teachers? | Juliana Tringali Golden and Wendy L. Brandes | Shortz |
Sun May 21, 2023 | 62D | Shade (3) | Robert Ryan | Shortz |
Sun Apr 2, 2023 | 25A | Timbre (4) | Jeremy Newton and Tracy Gray | Shortz |
Mon Nov 14, 2022 | 14A | "Watch your ___!" ("Attitude check!") | Taylor Johnson | Shortz |
Wed Mar 2, 2022 | 64A | Speaker's quality | Dylan Schiff | Shortz |
Wed Dec 1, 2021 | 32D | Timbre (4) | Christopher Youngs | Shortz |
Sat Oct 2, 2021 | 50D | Something you might watch with your parents | Wendy L. Brandes | Shortz |
Sun Sep 26, 2021 | 20A | Word with earth or muscle | Priyanka Sethy and Matthew Stock | Shortz |
Sun May 16, 2021 | 58A | Voice mail prompt (3) | Joe DiPietro | Shortz |
Mon Apr 19, 2021 | 7D | Muscular firmness (2) | Andrea Carla Michaels | Shortz |
Tue Nov 3, 2020 | 15A | ___ it down a notch | Amanda Chung and Karl Ni | Shortz |
Sat Sep 5, 2020 | 48A | "Watch your ___!" (response to 52-Across) | John Guzzetta | Shortz |
Sun May 3, 2020 | 110D | It distinguishes meaning in many East Asian languages | Ben Zimmer and Brendan Emmett Quigley | Shortz |
Sat Feb 29, 2020 | 38A | It may rise in anger | Andrew J. Ries | Shortz |
Tue Nov 20, 2018 | 69A | Voice mail signal | Zhouqin Burnikel | Shortz |
Fri Jul 20, 2018 | 16A | Get fit, with "up" | Robyn Weintraub | Shortz |
Fri Jul 13, 2018 | 62A | Paint swatch selection | Trenton Charlson | Shortz |
Sat May 26, 2018 | 11D | Word with skin or ring | Peter Wentz | Shortz |
Sat Mar 3, 2018 | 37D | Shade (3) | Damon Gulczynski | Shortz |
Sun Jan 21, 2018 | 107A | Color feature | Victor Barocas and Andy Kravis | Shortz |
Tue Jan 9, 2018 | 71A | Recorded message prompt | Peter A. Collins | Shortz |
Mon Sep 25, 2017 | 29A | Firm (up), as muscles | Bruce Haight | Shortz |
Sat Sep 16, 2017 | 60A | A parent may tell a child to watch it | Natan Last, Finn Vigeland and the J.A.S.A. Crossword Class | Shortz |
Sat Apr 29, 2017 | 45D | Step on a scale | Martin Ashwood-Smith | Shortz |
Sat Oct 15, 2016 | 48D | What calisthenics improve | Mark Diehl | Shortz |
Wed Sep 28, 2016 | 6D | "Don't use that ___ with me!" | Morton J. Mendelson | Shortz |
Fri Mar 25, 2016 | 45A | Hue (2) | Ian Livengood | Shortz |
Mon Jan 25, 2016 | 19A | Build one's muscles, with "up" | Ian Livengood | Shortz |
Mon Dec 28, 2015 | 38D | Synonym and anagram of "note" | Zhouqin Burnikel | Shortz |
Sun Sep 13, 2015 | 102D | Pitch (4) | Joe DiPietro | Shortz |
Wed May 20, 2015 | 63A | Manner of speaking (3) | Jacob Stulberg | Shortz |
Sat May 9, 2015 | 55D | Mood (3) | Kristian House | Shortz |
Sun Apr 19, 2015 | 44D | Muscle ___ (3) | Don Gagliardo and Zhouqin Burnikel | Shortz |
Sun Apr 12, 2015 | 109A | Soap brand with cocoa butter | Jeff Chen | Shortz |
Thu Feb 12, 2015 | 32D | "Watch your ___, young man!" (2) | Jules P. Markey | Shortz |
Mon Dec 29, 2014 | 16A | Musical pitch | Peter A. Collins | Shortz |
Wed Oct 1, 2014 | 16A | Build muscles, with "up" | Elizabeth C. Gorski | Shortz |
Tue Aug 26, 2014 | 22A | "Watch your ___, young man!" (2) | Victor Fleming | Shortz |
Tue Mar 18, 2014 | 26D | Hue (2) | David Kwong | Shortz |
Mon Jan 20, 2014 | 3D | Voice inflection | Elizabeth C. Gorski | Shortz |
Sun Dec 1, 2013 | 73A | Firm (up) | Alan DerKazarian | Shortz |
Sun Nov 17, 2013 | 31D | Muscle ___ (3) | Julian Lim | Shortz |
Sun Nov 3, 2013 | 13D | Shape (up) (2) | Andy Kravis and Victor Barocas | Shortz |
Tue Sep 10, 2013 | 7D | Sound of music | Zhouqin Burnikel | Shortz |
Sat Jun 22, 2013 | 8D | It might be harsh or hushed | Bruce Sutphin and Doug Peterson | Shortz |
Wed Jun 5, 2013 | 64A | Muscular firmness (2) | Mark Bickham | Shortz |
Wed Oct 24, 2012 | 64A | Paint swatch choice | Ian Livengood | Shortz |
Sat Sep 29, 2012 | 14A | "___ it down!" | Joe DiPietro | Shortz |
Sun Aug 26, 2012 | 77D | Voice quality (4) | Amanda Yesnowitz and Doug Peterson | Shortz |
Mon Jul 23, 2012 | 60A | Musical sound | Lynn Lempel | Shortz |
Tue Jan 17, 2012 | 7D | Kind of deafness | Elizabeth A. Long | Shortz |
Fri Dec 2, 2011 | 33D | Cosmetology concern | Ed Sessa | Shortz |
Mon Nov 28, 2011 | 65A | Bell sound | Andrea Carla Michaels | Shortz |
Sat Oct 29, 2011 | 55A | Music critic's concern | Barry C. Silk | Shortz |
Thu May 5, 2011 | 54D | Timbre (4) | Joel Fagliano | Shortz |
Sun May 1, 2011 | 20D | Pitch (4) | Xan Vongsathorn | Shortz |
Wed Apr 6, 2011 | 61A | Shape (up) (2) | Gareth Bain | Shortz |
Fri Aug 6, 2010 | 24A | Prevailing character | Patrick Berry | Shortz |
Sun May 23, 2010 | 95A | Skin ___ | Yaakov Bendavid | Shortz |
Fri Apr 23, 2010 | 20D | Cosmetologist's concern | Brad Wilber | Shortz |
Fri Oct 23, 2009 | 18A | A kid may be told to watch it | Barry C. Silk | Shortz |
Tue Jun 30, 2009 | 58D | TV color adjustment | Steve Dobis | Shortz |
Tue May 12, 2009 | 55D | Mute, with "down" | Wayne and P. K. King | Shortz |
Wed May 6, 2009 | 15A | Audiophile's concern (2) | Michael Callaway Barnhart | Shortz |
Wed Apr 29, 2009 | 18A | *Musical quality | Barry C. Silk | Shortz |
Mon Dec 15, 2008 | 70A | Voice quality (4) | Susan Gelfand | Shortz |
Mon Sep 29, 2008 | 66A | Dial ___ (telephone sound) | Sharon Delorme | Shortz |
Wed Aug 13, 2008 | 26D | Music quality | Victor Fleming | Shortz |
Thu Jul 10, 2008 | 27A | Mood (3) | Ari Halpern | Shortz |
Mon Jun 2, 2008 | 52D | Clock chime, e.g. | Barry Boone | Shortz |
Thu May 29, 2008 | 36D | Blush adds it | John Farmer | Shortz |
Fri May 9, 2008 | 50A | Coloring (2) | Jim Page | Shortz |
Mon Apr 2, 2007 | 16A | Voice quality (4) | Richard Hughes | Shortz |
Thu Dec 14, 2006 | 67A | Timbre (4) | Ed Early | Shortz |
Thu Oct 5, 2006 | 63A | La or fa | Joe DiPietro | Shortz |
Thu Sep 21, 2006 | 60D | Coloring (2) | Stella Daily and Bruce Venzke | Shortz |
Mon Sep 18, 2006 | 8D | Dial ___ | Dave Tuller | Shortz |
Fri Aug 25, 2006 | 39A | General character | David Levinson Wilk | Shortz |
Fri Jun 30, 2006 | 51D | Voice mail cue | Manny Nosowsky | Shortz |
Mon Jun 26, 2006 | 61D | Musical signal | Randy Sowell | Shortz |
Tue Feb 21, 2006 | 31D | Television knob | Lisa Wiseman | Shortz |
Sun Mar 13, 2005 | 15D | Soap made by Dial | Patrick Merrell | Shortz |
Wed Dec 15, 2004 | 39D | Muscle ___ (3) | Zach Jesse | Shortz |
Wed Dec 1, 2004 | 21D | Audiophile's concern (2) | Roy Leban | Shortz |
Sun Sep 26, 2004 | 110A | Pulse alternative | Joe DiPietro | Shortz |
Wed May 26, 2004 | 64A | ___ poem | David J. Kahn | Shortz |
Tue Feb 17, 2004 | 11D | Muscle quality (3) | Bob Frank and Nancy Salomon | Shortz |
Wed Feb 11, 2004 | 2D | Strengthen, with "up" | Ethan Friedman | Shortz |
Fri Dec 12, 2003 | 2D | Tenor | Manny Nosowsky | Shortz |
Sun Jun 15, 2003 | 109D | General flavor | Cathy Millhauser | Shortz |
Wed Jan 22, 2003 | 43A | Voice mail prompt (3) | Michael Shteyman | Shortz |
Tue Apr 16, 2002 | 63A | Dialing need | Sarah Keller | Shortz |
Mon Jan 21, 2002 | 22A | Muscle quality (3) | Peter Gordon | Shortz |
Thu Nov 15, 2001 | 60A | Mood (3) | Alan Arbesfeld | Shortz |
Tue Jul 3, 2001 | 51D | Inflection | Randall J. Hartman | Shortz |
Sun May 27, 2001 | 22D | With 39-Down, terrible with pitches | Dana Motley | Shortz |
Fri May 4, 2001 | 25D | Muscle condition | Elizabeth C. Gorski | Shortz |
Wed Jan 17, 2001 | 51D | Calisthenics improve it | Alan Arbesfeld | Shortz |
Mon Dec 25, 2000 | 16A | Stereo knob | Adam G. Perl | Shortz |
Fri Nov 10, 2000 | 40A | Distinctive quality | Bob Klahn | Shortz |
Sun Oct 1, 2000 | 123A | Color quality (5) | Nancy Nicholson Joline | Shortz |
Tue Sep 12, 2000 | 40A | Muscle quality (3) | Bill Zais | Shortz |
Fri Jun 23, 2000 | 5D | Pitch (4) | Noah Dephoure | Shortz |
Sat Jun 10, 2000 | 24A | Whole step | Glenton Petgrave | Shortz |
Thu Aug 19, 1999 | 24D | Color quality (5) | Cathy Millhauser | Shortz |
Sun Jul 11, 1999 | 19A | Pitch (4) | Nancy Salomon | Shortz |
Tue Jun 22, 1999 | 40D | Voice quality (4) | Nancy Salomon | Shortz |
Sun Mar 14, 1999 | 123A | Voice mail prompt (3) | Martin Schneider | Shortz |
Fri Jan 15, 1999 | 6D | Kind of poem (2) | John Wolting | Shortz |
Sun Apr 19, 1998 | 50A | Increase in strength, with "up" | Rich Norris | Shortz |
Fri Apr 3, 1998 | 34D | Manner of speaking (3) | Frank Longo | Shortz |
Wed Apr 1, 1998 | 2D | Character | Alan Arbesfeld | Shortz |
Wed Mar 18, 1998 | 48A | Way of speaking | Susan Smith | Shortz |
Tue Dec 30, 1997 | 30D | Dial sound (2) | Elizabeth C. Gorski | Shortz |
Wed Sep 17, 1997 | 67A | Sound | Karen Hodge | Shortz |
Mon Aug 18, 1997 | 57A | ___-deaf | Joel D. Lafargue | Shortz |
Tue Aug 5, 1997 | 43A | Telephone sound | William Bernhardt | Shortz |
Thu Jul 17, 1997 | 67A | Vocal inflection | Wayne Robert Williams | Shortz |
Wed Jun 4, 1997 | 50D | Sound quality | Nancy S. Ross | Shortz |
Fri Apr 11, 1997 | 5D | Signal on the hour | Manny Nosowsky | Shortz |
Sun Oct 20, 1996 | 97D | Vocal quality | R. Ross | Shortz |
Thu Aug 15, 1996 | 9D | ___ of voice | S. B. Whitten | Shortz |
Wed May 15, 1996 | 3D | Richness | A.J. Santora | Shortz |
Sat Apr 27, 1996 | 60A | Singer's concern | F. Hansen | Shortz |
Mon Feb 12, 1996 | 2D | Color quality (5) | S. Robbins | Shortz |
Mon Jan 15, 1996 | 30D | "At the sound of the ___ ..." | Gregory E. Paul | Shortz |
Sun Sep 17, 1995 | 16D | Kind of poem (2) | Stanley Newman | Shortz |
Sat Sep 2, 1995 | 24A | Color quality (5) | Manny Nosowsky | Shortz |
Sun Apr 30, 1995 | 6D | Color quality (5) | Warren W. Reich | Shortz |
Thu Feb 23, 1995 | 39A | Shade (3) | Daniel R. Stark | Shortz |
Tue Feb 14, 1995 | 14A | Dial sound (2) | Randy Sowell | Shortz |
Sun Jan 29, 1995 | 24A | TV knob (2) | Bryant White | Shortz |
Mon Mar 14, 1994 | 23D | Manner of speaking (3) | Ernie Furtado | Shortz |
Mon Dec 13, 1993 | 58D | TV knob (2) | Thomas W. Schier | Shortz |
Date | Type | Grid | Clue | Author | Editor |
---|---|---|---|---|---|
Apr 16, 2023 | Diagramless | 10A | The sound of music? | Alex Eaton-Salners | Shortz |
Jan 29, 2017 | Panda | 24A | What a note denotes | Mel Taub | Shortz |
Aug 19, 2012 | Diagramless | 4D | Dial ___ (telephone sound) | Fred Piscop | Shortz |
Mar 12, 2006 | Diagramless | 25A | Moderate, with "down" | Byron Walden | Shortz |
Jun 28, 1998 | Diagramless | 1D | Dial ___ | Ed Early | Shortz |
Oct 19, 1997 | Diagramless | 43A | ___-deaf | Fred Piscop | Shortz |
Date | Grid | Clue | Author | Editor |
---|---|---|---|---|
Mon Sep 27, 1993 | 7D | Color quality | Bette Sue Cohen | Taub |
Tue Aug 3, 1993 | 40A | Whole step | Eugene T. Maleska | Maleska |
Sun Aug 1, 1993 | 82A | Muscular fitness | Martin Fass | Maleska |
Sun May 30, 1993 | 103A | Sound | A. J. Santora | Maleska |
Mon Mar 22, 1993 | 11D | Hue | Martha J. DeWitt | Maleska |
Wed Jan 27, 1993 | 13D | Musical sound | Christy Ridley | Maleska |
Fri Sep 25, 1992 | 23A | Kind of poem | Jeanette K. Brill | Maleska |
Mon Aug 10, 1992 | 64A | Musical sound | Don Groat | Maleska |
Wed Jul 8, 1992 | 17A | Inflection | Sidney L. Robbins | Maleska |
Thu May 7, 1992 | 60A | Pitch | Dorothy Elliott | Maleska |
Tue Mar 24, 1992 | 36D | Musical sound | Robert Zimmerman | Maleska |
Mon Jan 27, 1992 | 57D | Accent | Evelyn Benshoof | Maleska |
Mon Jan 6, 1992 | 54D | Tinge | Albert J. Klaus | Maleska |
Wed Nov 6, 1991 | 54D | Hue | Robert Katz | Maleska |
Tue Oct 15, 1991 | 39A | Inflection | Eugene T. Maleska | Maleska |
Mon Sep 30, 1991 | 64A | Pitch | Albert J. Klaus | Maleska |
Thu Jun 27, 1991 | 53D | Actor Franchot | Kenneth Witte | Maleska |
Wed Jun 12, 1991 | 62A | ___ down (soften) | Kenneth Witte | Maleska |
Fri Mar 8, 1991 | 40A | Color | Arthur W. Palmer | Maleska |
Tue Feb 12, 1991 | 65A | Inflection | Reginald L. Johnson | Maleska |
Wed Jan 2, 1991 | 10A | Inflection | Christy Ridley | Maleska |
Tue Oct 30, 1990 | 34D | Variation in color | Richard Silvestri | Maleska |
Mon Oct 29, 1990 | 19A | Pitch | Albert J. Klaus | Maleska |
Fri Aug 10, 1990 | 49A | Healthy elasticity | Michael A. Rampino | Maleska |
Tue Jun 19, 1990 | 58D | Franchot, the actor: 1905-68 | Martha J. DeWitt | Maleska |
Sat Mar 24, 1990 | 16A | Muscle condition | Betty Jorgensen | Maleska |
Thu Mar 22, 1990 | 29D | Franchot of films | Robert H. Wolfe | Maleska |
Wed Feb 14, 1990 | 2D | Sound | Jane S. Flowerree | Maleska |
Tue Aug 15, 1989 | 43A | Hi-fi buff's concern | Harold B. Counts | Maleska |
Fri Mar 3, 1989 | 54D | Timbre | Robert Katz | Maleska |
Wed Dec 28, 1988 | 39A | Franchot of old movies | Don Groat | Maleska |
Tue Nov 1, 1988 | 54D | Musical sound | Albert J. Klaus | Maleska |
Sat Feb 20, 1988 | 51D | A star of "Advise and Consent" | Daniel Girardi | Maleska |
Thu Dec 17, 1987 | 37D | Franchot | Tom W. Underhill | Maleska |
Sat Dec 5, 1987 | 15A | Tenor | Mary S. Snyder | Maleska |
Tue Dec 1, 1987 | 4D | Dial ___ | Nancy Scandrett Ross | Maleska |
Fri Aug 7, 1987 | 60A | Word with dial or half | Mark Diehl | Maleska |
Tue Aug 4, 1987 | 16A | ___ down (subdue) | Bette Sue Cohen | Maleska |
Fri Jun 26, 1987 | 48A | Demitint, e.g. | William Canine | Maleska |
Sun Jun 21, 1987 | 117A | Resiliency | Louis Baron | Maleska |
Mon Mar 23, 1987 | 7D | Whole step, in music | Peter Swift | Maleska |
Fri Oct 31, 1986 | 58D | Franchot of films | Joy L. Wouk | Maleska |
Fri Oct 10, 1986 | 60D | Musical sound | Nancy Joline | Maleska |
Sun Sep 28, 1986 | 100A | Normal resiliency | D. Jones | Maleska |
Mon Aug 18, 1986 | 20D | Franchot of films | Evelyn Benshoof | Maleska |
Fri Aug 8, 1986 | 12D | Actor in "Advise and Consent" | Eli Wesoff | Maleska |
Fri Jul 18, 1986 | 37D | Irish revolutionist Wolfe | Jones | Maleska |
Thu May 29, 1986 | 51D | Resiliency | Jeanette K. Brill | Maleska |
Wed May 14, 1986 | 31D | Dial ___ | Louis Sabin | Maleska |
Tue Apr 15, 1986 | 34A | Franchot of filmdom | Norma Steinberg | Maleska |
Sun Apr 6, 1986 | 99D | Orchestral concern | Judith C. Dalton | Maleska |
Thu Mar 13, 1986 | 51D | Musical sound | Albert J. Klaus | Maleska |
Sat Feb 22, 1986 | 13A | Voice quality | Kenneth Witte | Maleska |
Sun Oct 6, 1985 | 49A | Pitch | A. J. Santora | Maleska |
Wed Sep 4, 1985 | 11D | Hollywood's Franchot | William Lutwiniak | Maleska |
Tue May 7, 1985 | 63A | Hi-fi buff's concern | Albert J. Klaus | Maleska |
Wed Mar 6, 1985 | 19A | Inflection | J. Samuel Smart | Maleska |
Sun Oct 21, 1984 | 76D | Variation in color | Richard Silvestri | Maleska |
Thu May 31, 1984 | 7D | Vocal quality | Hickmott | Maleska |
Sun Feb 26, 1984 | 5D | Style | Peter Swift | Maleska |
Mon Nov 21, 1983 | 47A | Timbre | Marie West | Maleska |
Sun Oct 2, 1983 | 100A | Hue | Richard Silvestri | Maleska |
Fri Jul 1, 1983 | 30A | Sound | Paul G. Remley | Maleska |
Thu Jun 23, 1983 | 54D | Normal muscle tension | Albert J. Klaus | Maleska |
Mon Jun 13, 1983 | 65A | Actor Franchot | Bette Sue Cohen | Maleska |
Mon May 23, 1983 | 12D | Franchot | Virginia L. Yates | Maleska |
Sun Feb 27, 1983 | 41D | Elegance | Carol Dutting | Maleska |
Mon Jan 31, 1983 | 64A | Elegance | Sidney L. Robbins | Maleska |
Tue Jan 25, 1983 | 57A | Franchot of film fame | Sidney L. Robbins | Maleska |
Mon Jan 3, 1983 | 6D | Accent | Frank Geary | Maleska |
Sat Jan 1, 1983 | 15A | Word with deaf or poem | John M. Samson | Maleska |
Thu Dec 30, 1982 | 57D | Elegance | Raymond F. Eisner | Maleska |
Tue Dec 14, 1982 | 65A | ___-deaf | Nancy McCarthy | Maleska |
Fri Nov 26, 1982 | 53D | Add color | Robert Katz | Maleska |
Wed Nov 24, 1982 | 41A | Actor Franchot | Arthur W. Palmer | Maleska |
Wed Oct 27, 1982 | 67A | Concern of musicians and physicians | Dorothy Smitonick | Maleska |
Wed Sep 1, 1982 | 53A | Hue | Ronald Rabinowitz | Maleska |
Wed Jul 7, 1982 | 28D | Vocal quality | C. J. Angio | Maleska |
Sat May 15, 1982 | 33D | Resiliency | I. Judah Koolyk | Maleska |
Sun May 2, 1982 | 27A | Resiliency | William H. Ford | Maleska |
Thu Apr 29, 1982 | 56D | His film debut came in '32 | Teresa Forestall | Maleska |
Fri Oct 23, 1981 | 7D | Pitch | Ronald Rabinowitz | Maleska |
Mon Jun 1, 1981 | 12D | Timbre | Rae | Maleska |
Sat Jan 31, 1981 | 49D | Color of a photographic image | William Lutwiniak | Maleska |
Tue Jan 27, 1981 | 14A | Resiliency | Christopher Sherwood | Maleska |
Sun Dec 28, 1980 | 51D | Sol is one | Bert Rosenfield | Maleska |
Sun Dec 14, 1980 | 65A | Word with poem | Alex F. Black | Maleska |
Mon Dec 8, 1980 | 12D | ___ down (soften) | Herb L. Risteen | Maleska |
Sat Dec 6, 1980 | 41D | His debut came in '32 | Argero P. Robertson | Maleska |
Fri Jun 27, 1980 | 51D | Stereo owner's concern | Louis Sabin | Maleska |
Mon Apr 28, 1980 | 38D | Sol is one | Herb L. Risteen | Maleska |
Sat Apr 26, 1980 | 29A | Quality | John M. Samson | Maleska |
Tue Jan 29, 1980 | 11D | Franchot of films | Hugh McElroy | Maleska |
Thu Dec 13, 1979 | 17A | ___ down (mute) | William Lutwiniak | Maleska |
Sat Sep 8, 1979 | 54D | Franchot of former film fame | William Lutwiniak | Maleska |
Thu Aug 16, 1979 | 60A | Word before poem or deaf | Jean J. Davison | Maleska |
Mon Apr 24, 1978 | 12D | Apt anagram for note | Jordan S. Lasher | Maleska |
Thu Mar 30, 1978 | 12D | Franchot of film fame | Bette Sue Cohen | Maleska |
Mon Mar 27, 1978 | 57A | Quality of sound | Grace Fabbroni | Maleska |
Wed Mar 15, 1978 | 61A | ___ down (modify) | Beverly J. Seward | Maleska |
Fri Mar 3, 1978 | 58A | Radio time signal | C. J. Angio | Maleska |
Mon Dec 12, 1977 | 24A | Resiliency | Marie West | Maleska |
Thu Sep 29, 1977 | 54D | Normal muscle tension | Jeanne Wilson | Maleska |
Thu Sep 15, 1977 | 18A | Hi-fi buff's concern | Dorothea E. Shipp | Maleska |
Mon Jun 27, 1977 | 15A | E flat is one | Young | Maleska |
Sun May 29, 1977 | 61D | Resiliency | Joseph J. La Fauci | Maleska |
Sat May 14, 1977 | 6D | Inflection | Anthony B. Canning | Maleska |
Wed Apr 6, 1977 | 58A | E flat is one | Jeanette K. Brill | Maleska |
Sun Jan 9, 1977 | 28A | Shade | Stanley A. Kurzban | Weng |
Thu Oct 7, 1976 | 63A | Franchot | Ruth N. Schultz | Weng |
Tue Aug 3, 1976 | 59D | Shade | Jim Plackner | Weng |
Fri Jul 9, 1976 | 22D | Franchot | Sophie Fierman | Weng |
Fri Jun 4, 1976 | 41A | Dialer's go-ahead | Stanley A. Kurzban | Weng |
Tue Mar 16, 1976 | 28D | Style | Manny Miller | Weng |
Wed Feb 25, 1976 | 14A | ___ down (modify) | Reginald L. Johnson | Weng |
Wed Feb 18, 1976 | 65A | ___ down (modify) | Evelyn B. Rosenthal | Weng |
Tue Jan 6, 1976 | 15A | Franchot | DeWitt Anderson | Weng |
Mon Dec 29, 1975 | 58A | Franchot | Sidney L. Robbins | Weng |
Sat Nov 8, 1975 | 14A | Dial ___ | Hallie & Gerald Parsons | Weng |
Tue Sep 2, 1975 | 13D | Resiliency | Louis Sabin | Weng |
Thu Jan 30, 1975 | 14A | Strengthen, as muscles | Hal R. Hollinger | Weng |
Fri Sep 13, 1974 | 44A | Franchot | Sophie Fierman | Weng |
Mon Jul 22, 1974 | 65A | Style | Victor Goldfarb | Weng |
Sun Jun 9, 1974 | 27A | Pitch | Mel Rosen | Weng |
Sun Apr 28, 1974 | 13D | Resiliency | Joseph LaFauci | Weng |
Thu Feb 28, 1974 | 27D | Dial ___ | Tap Osborn | Weng |
Fri Sep 28, 1973 | 21A | Franchot | Unknown | Weng |
Mon Sep 10, 1973 | 60A | Sound quality | Unknown | Weng |
Fri Aug 10, 1973 | 16A | Franchot | Unknown | Weng |
Wed Mar 28, 1973 | 29A | Kind of poem | Unknown | Weng |
Tue Feb 27, 1973 | 18A | Style | Unknown | Weng |
Wed Dec 13, 1972 | 54D | Franchot | Unknown | Weng |
Wed Dec 6, 1972 | 33A | Style | Unknown | Weng |
Mon Sep 18, 1972 | 56D | Sound | Unknown | Weng |
Thu Feb 24, 1972 | 61A | Kind of poem | Unknown | Weng |
Tue Feb 22, 1972 | 70A | Style | Unknown | Weng |
Mon Jan 3, 1972 | 36A | Normal elasticity | Unknown | Weng |
Sun Jan 2, 1972 | 81A | Pitch | Frances Hansen | Weng |
Mon Dec 20, 1971 | 62A | Pitch | Unknown | Weng |
Sun Jul 25, 1971 | 48D | Kind of poem | Mary Ann Code | Weng |
Fri Jan 22, 1971 | 18A | Dial ___ | Unknown | Weng |
Thu Jan 21, 1971 | 29D | Character | Unknown | Weng |
Mon Dec 21, 1970 | 46D | Bodily vigor | Unknown | Weng |
Wed Nov 11, 1970 | 4D | A flat, for one | Unknown | Weng |
Sat Jun 13, 1970 | 35A | Elegance | Unknown | Weng |
Thu Apr 16, 1970 | 19A | Hue | Unknown | Weng |
Wed Mar 25, 1970 | 45D | Pitch | Unknown | Weng |
Tue Jan 20, 1970 | 36A | Franchot | Unknown | Weng |
Thu Nov 27, 1969 | 47D | Dial sound. | Unknown | Weng |
Thu Oct 16, 1969 | 54D | Elegance. | Unknown | Weng |
Wed Aug 20, 1969 | 48D | Mood. | Unknown | Weng |
Sat May 24, 1969 | 16A | General character. | Unknown | Weng |
Tue Apr 22, 1969 | 34A | Resiliency. | Unknown | Weng |
Wed Feb 26, 1969 | 28D | Style. | Unknown | Weng |
Mon Jan 6, 1969 | 51D | Prevailing style. | Unknown | Weng |
Wed Jul 3, 1968 | 47D | Dial sound. | Unknown | Farrar |
Sat Jun 15, 1968 | 66A | Dial ___. | Unknown | Farrar |
Fri Jan 19, 1968 | 51D | Hue. | Unknown | Farrar |
Mon Jan 15, 1968 | 65A | Dial sound. | Unknown | Farrar |
Fri Jan 5, 1968 | 39D | Musical note. | Unknown | Farrar |
Tue Nov 7, 1967 | 3D | Mood. | Unknown | Farrar |
Sat Aug 26, 1967 | 34A | Dial buzz. | Bernice Gordon | Farrar |
Wed Apr 26, 1967 | 65A | Musical term. | Lois Hillis | Farrar |
Tue Jan 17, 1967 | 7D | Pitch. | Joseph Crowell | Farrar |
Thu Dec 29, 1966 | 15A | Distinctive style. | Unknown | Farrar |
Fri Dec 23, 1966 | 71A | Musical sound. | Unknown | Farrar |
Sat Nov 19, 1966 | 10D | Elasticity. | Unknown | Farrar |
Mon Oct 3, 1966 | 57D | Pitch. | Louise Earnest | Farrar |
Tue Sep 20, 1966 | 57A | Sound. | Unknown | Farrar |
Wed Jun 29, 1966 | 54D | Resiliency. | Unknown | Farrar |
Wed Mar 16, 1966 | 15A | Harmonize in color. | Unknown | Farrar |
Sun Nov 28, 1965 | 148D | Elegance. | Will Weng | Farrar |
Fri Jul 2, 1965 | 34D | Distinctive style. | Unknown | Farrar |
Sun Jan 31, 1965 | 37A | Quality of voice. | Jack Luzzatto | Farrar |
Wed Oct 21, 1964 | 6D | Dial ___. | Unknown | Farrar |
Sun Sep 13, 1964 | 100D | Elegance. | A. J. Santora | Farrar |
Tue May 26, 1964 | 34D | A flat, for one. | Unknown | Farrar |
Tue Mar 24, 1964 | 1A | Dial ___. | Unknown | Farrar |
Tue Feb 25, 1964 | 15A | Resiliency. | William Lutwiniak | Farrar |
Tue Feb 18, 1964 | 35D | Modulation. | Roberta Morse | Farrar |
Sun Jan 26, 1964 | 74D | Elegance. | W. E. Jones | Farrar |
Fri Dec 6, 1963 | 16A | Distinctive style. | Cora Goodman | Farrar |
Fri Aug 2, 1963 | 59A | Modify in color. | Unknown | Farrar |
Sat Jun 15, 1963 | 62A | Note. | Unknown | Farrar |
Mon Jun 10, 1963 | 67A | Pitch. | Unknown | Farrar |
Wed Jun 5, 1963 | 46A | Dial ___. | Unknown | Farrar |
Thu May 30, 1963 | 60D | Color value. | Unknown | Farrar |
Wed Feb 27, 1963 | 63A | General effect. | S. A. Kay | Farrar |
Sat Feb 16, 1963 | 33D | Color quality or value. | Manny Miller | Farrar |
Thu Nov 15, 1962 | 5D | Sound quality. | Unknown | Farrar |
Thu Oct 11, 1962 | 16A | Pitch. | Unknown | Farrar |
Sun Sep 16, 1962 | 58A | Shade. | Anthony Morse | Farrar |
Sun Jul 15, 1962 | 63A | Sound of music. | Jean Reed | Farrar |
Mon Apr 2, 1962 | 60D | Modulation. | Madeline Corse | Farrar |
Thu Aug 31, 1961 | 16A | Hue. | Unknown | Farrar |
Wed Mar 22, 1961 | 65A | Dial ___. | Louise Earnest | Farrar |
Thu Feb 9, 1961 | 62A | Harmonize. | Unknown | Farrar |
Sat Jan 28, 1961 | 15A | Prevailing character. | Unknown | Farrar |
Fri Jan 27, 1961 | 26D | Vocal sound. | Unknown | Farrar |
Fri Oct 21, 1960 | 26A | Sound quality. | Unknown | Farrar |
Thu Aug 18, 1960 | 57A | Shade. | Unknown | Farrar |
Thu Dec 3, 1959 | 69A | Distinctive style. | Unknown | Farrar |
Thu Oct 29, 1959 | 68A | Quality of sound. | Unknown | Farrar |
Sun Sep 6, 1959 | 41A | Voice quality. | Anthony Morse | Farrar |
Thu Apr 30, 1959 | 16A | Inflection. | Jack Luzzatto | Farrar |
Wed Feb 18, 1959 | 40D | Color quality. | Sidney Lambert | Farrar |
Tue Jul 8, 1958 | 58D | Dial ___. | Herbert Ettenson | Farrar |
Sun Jun 8, 1958 | 116A | Dial ___. | Jules Arensberg | Farrar |
Sat Nov 30, 1957 | 49D | Distinctive style. | Unknown | Farrar |
Mon Nov 4, 1957 | 36A | Manner of speaking. | Unknown | Farrar |
Wed Mar 20, 1957 | 39A | Distinctive style. | S. A. Kay | Farrar |
Thu Mar 7, 1957 | 43D | E-flat is one. | Eugene T. Maleska | Farrar |
Tue Jan 22, 1957 | 28D | Shade. | H. L. Risteen | Farrar |
Thu Dec 20, 1956 | 23A | Shade. | H. L. Risteen | Farrar |
Sun Dec 16, 1956 | 29A | Hi-fi. | Eugene T. Maleska | Farrar |
Sun Dec 9, 1956 | 53D | Shade. | Arthur Schulman | Farrar |
Sat Nov 24, 1956 | 23A | Pitch of voice. | Herbert Ettenson | Farrar |
Thu Oct 11, 1956 | 53D | Step of a diatonic scale. | Mel Taub | Farrar |
Sun Oct 7, 1956 | 101D | Elegance. | Jack Luzzatto | Farrar |
Sun Aug 5, 1956 | 94A | Hue. | H. L. Risteen | Farrar |
Mon Jun 18, 1956 | 52D | Distinctive style. | Madeline Corse | Farrar |
Sun Jun 10, 1956 | 40A | Hue. | Roberta Morse | Farrar |
Sun Jun 3, 1956 | 63A | Dial ___. | Helen Bernard | Farrar |
Mon May 14, 1956 | 16A | Sound. | Victor Goldfarb | Farrar |
Thu May 3, 1956 | 68A | Sound quality. | Unknown | Farrar |
Sat Apr 21, 1956 | 14A | Modulation of the voice. | Unknown | Farrar |
Wed Mar 7, 1956 | 62A | Star in "Uncle Vanya." | Thomas Meekin | Farrar |
Sun Jan 22, 1956 | 76D | ___ poem. | H. L. Risteen | Farrar |
Thu Sep 22, 1955 | 49D | General trend. | Eugene T. Maleska | Farrar |
Sun Jun 26, 1955 | 119D | Elegance. | Harold D. Cannon | Farrar |
Mon Jun 20, 1955 | 3D | Voice inflection. | Thomas Varner | Farrar |
Thu Jun 16, 1955 | 13D | Sound. | Unknown | Farrar |
Sun Apr 3, 1955 | 78D | Actor Franchot. | Ruth H. Oliver | Farrar |
Sat Feb 5, 1955 | 15A | Pitch pipe's indication. | Unknown | Farrar |
Thu Dec 23, 1954 | 12D | Modulation. | Anthony Morse | Farrar |
Sat Dec 4, 1954 | 19A | Pitch. | Marian Moeser | Farrar |
Mon Jun 14, 1954 | 45A | Temper. | Sidney Lambert | Farrar |
Mon Mar 22, 1954 | 43A | Manner of speaking. | Eugene Maleska | Farrar |
Fri Feb 19, 1954 | 15A | Star of "Oh, Men, Oh, Women!" | Jules Arensberg | Farrar |
Sun Jan 10, 1954 | 82D | Elegance. | Harold T. Bers | Farrar |
Wed Dec 23, 1953 | 13D | Prevailing character. | Unknown | Farrar |
Wed Dec 16, 1953 | 64A | Stylishness. | Ethel LeStrange | Farrar |
Thu Oct 29, 1953 | 48D | Inflection. | Marian Moeser | Farrar |
Wed Oct 22, 1952 | 53A | In music, a whole step. | Unknown | Farrar |
Tue Aug 26, 1952 | 34D | ___ poem, developed by Richard Strauss. | Unknown | Farrar |
Wed Jul 30, 1952 | 59D | Particular tendency. | Unknown | Farrar |
Thu Apr 3, 1952 | 44A | Inflection. | Unknown | Farrar |
Wed Feb 20, 1952 | 16A | A whole step in the scale. | Unknown | Farrar |
Sun Dec 23, 1951 | 143D | Inflection. | Willard Jordan | Farrar |
Fri Apr 13, 1951 | 31D | Franchot of the movies. | Unknown | Farrar |
Sat Mar 31, 1951 | 52D | Stage and screen star. | Unknown | Farrar |
Sat Oct 14, 1950 | 35D | Franchot ___. | Unknown | Farrar |
Sun Dec 7, 1947 | 27A | ___ poem. | Thomas Meekin | Farrar |
Sun Jul 20, 1947 | 74D | Franchot ___. | Thomas Meekin | Farrar |
Sun Dec 1, 1946 | 31A | Timbre. | S. K. Fliegner | Farrar |
Sun Jun 9, 1946 | 64D | Movie actor. | Louis Jenkins | Farrar |